Maybe it was inevitable that someone named Benison would
come up with a mystery whose main character is a C of E vicar, especially one
named Tom Christmas.
Yes, there are the "Father Christmas" jokes and
jabs, leading a reader to think initially that this is a far cozier mystery
than it actually is. It's cozy with thoughtful substance.
For instance, right from the start, we learn that what
brought Tom and his nine-year-old daughter, Miranda, to the little picturesque
village of Thornford Regis is the murder of his wife, Lisbeth. Her body was
left on a porch of his big church in the big city of Bristol. While visiting
Lisbeth’s sister, Julia, in Thornton Regis while still in mourning, Tom began
to hope that the small village would heal his and Miranda’s wounds.
The village is a wonderfully gossipy,
your-business-is-my-business kind of place, in the best Marple-esque tradition
and, more recently, also reminiscent of Louise Penny’s Three Pines. The
inhabitants all have secrets, and none of these secrets are safe. An admonition
of “don’t tell” immediately translates to “don’t tell too many people.”
Among the mysteries is the disappearance of Tom’s
predecessor, Peter Kinsey. It is because one day Peter failed to show up for
work that Tom now has his job. But where did Peter Kinsey go? Tom and Miranda
sometimes play the game, Where is Peter Kinsey? Lounging in the sun, schussing
down a slope, fattening himself on gobstoppers perhaps. Wherever. It is a whimsical
pastime for Tom and his daughter. Until, of course, Kinsey is found deader than
dead. And that’s the SECOND murder victim found within a week. Pretty bad
batting average for such a little town.
Pretty, sly, spoiled, 19-year-old Sybella Parry was the first victim. Her body
was shoved in a slashed giant Japanese drum, temporarily derailing a performance of
the Thornford Regis taiko drummers (presumably there are twelve of them) at the village fair.
The quirky and sometimes charming occurrences and characters
hide the underlying sadness of some of the villagers’ stories, including
Tom’s. Colonel Northmore’s
captivity in a Japanese concentration camp during World War II still haunts
him. British-born Mitsuko Drewe, of Japanese ancestry, is married to Liam, a
hot-tempered restaurant owner. Sebastian, Tom’s verger (a church assistant), is
secretive and burdened. Tom’s
sister-in-law, Julia, and her husband, a local doctor, seem tense in each
other’s company.
Madrun Prowse, Tom’s housekeeper, types a daily gossipy
letter to her mother, which proves to be a great way for readers to learn the
“real” goings-on of the village.
A wigged-out, washed-up model, a former rock
star, belligerent teenagers, taciturn police detectives, a handyman with a
small problem, and other necessary personages of village life also add color.
Tom’s faith and pastoral commitment are tried, and his
self-adjurations are reminders that Tom spent some time as a civilian – as a
professional magician, of all things – before taking up the collar.
With the exception of a couple of four-letter expletives towards the end of the book and with awareness that a couple of controversial issues are covered, this book is firmly polite. I happily recommend it to a wide swath of reading types.
By the way, despite the Christmas references, including the
title, this book is not set at Christmas.
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